It seems that in the early days of the earliest iran works, the role of the mud roller was started, which at that time was made without the help of pitchers and with the help of your fingers and burned in the oven grills. Now, after a few thousand years, the pottery maker is still presenting the motifs and wishes of life to the role of the bowl of jars. With the difference that the folk roles of this era are written in the light of the aspirations of iran beings, which are clear about the needs of the present life.
Nowadays, the most important pottery factories in Hamedan province are Laleh Jin – about 25 km from Hamadan and Farsfaj in Thyssar Khan city. From the point of view of history, Lalejin’s pottery is divided into two parts: first, until seventy and eighty years ago, and the other ones that were made up to twenty years ago.
The difference between the two in terms of the shape of the bowl, glazes, roles and pens and the method of pencil is obvious. In the first section, we see the bowls a little bigger and the mouth is more open, and the roles and varnishes of the glazes are more intense and the nailing is done more rigorously. It turns out that the brush was slowing down and the pottery sculptor did not feel the passage of time, and was free from the plight of life in his artistic thoughts, and wanted to not place a bowl in the way, so go anywhere to He played a role, but he was conscious that he would not break the coordination of the roles.
Although it used to use the symmetry, it did not miss the design of the various roles. The role of the chicken, and elsewhere, is the role of the fish, in the bowl of the peacock role, and in another bowl of the woman’s face, a woman with black and brow eyebrows, with a great almond eyes and a large eyebrow. It is obvious that what the artist believed about the beauty of the beloved was much more sharper than the role of this bowl.
In the bowls of the same section, the role of the bird and the fish is high. The bird can be a sign of the garden and the greenery of the garden on the one hand, and on the other hand, it marks the wishes of the chosen artist. Fish are both beautiful and clean because they live in water and water has always been desirable to us Iranians.
Another feature of these bowls in the first part is that they write the roles only with the help of the line and the surface covered with colorful tusks and do not use shadow of brightness and blur that causes ambiguity and reduces clarity and clarity. .
These white bowl bowls are similar to Chinese dishes. Of course, it’s not as sturdy as Chinese, but it’s better than Chinese. Of course, fifteen or twenty years ago, La Légins had neglected the role of the pottery on the business aspect of their business, and the truth that art values sacrificed their value for value. Currently, the pottery in Laleh Jin Hamadan, though in quantitative terms, the number of people involved and the annual production rate, has increased significantly compared with the past, and even every year, compared to the previous year, but on a daily basis, the amount of pottery production The Laleh Jin Index of Hamedan was characterized by cyan, green, mustard and brown colors and included full consumption products, and over time, we saw a relative decline in quality and roles. We still saw pottery in tulip Jane, “Art-Industry” is the dominant of Hamedan province, and Laleh Jin is the largest pottery center in Iran.
One of the most important fields of handicrafts in Hamedan province is pottery and ceramics, which has a worldwide reputation. The main focus of this field is in Laljin. The production of pottery and ceramics dates back to 700 years ago. The presence of outstanding professors and artists in this field and variety in the production of this field is very much. For example, the production of a variety of consumer utensils, decorative dishes and artistic works, tandis, glazed ceramic products, painted and painted, raw baking with the paintings underneath glazing, the combination of pottery with leather, wood, fabric, flower, and khorrameh. . . Which has produced these products at nearly 700 pottery and ceramic workshops in Laljin as a beautiful exhibition and exhibition hall with supply in more than 100 stores and exhibitions, and most productions in addition to provincial cities, especially the provincial capital throughout the country, and A part is also exported from the country.
The design of miniature motifs on paper and pottery, pots and inscriptions with a high level of artistic talent is performed by artists in most provinces of the province, especially Hamadan.
The design of traditional and modern designs on ceramic and ceramic bodies is done in the following way: painting on the glaze, painting under the glaze, painting of oil and paint, painting of gold water. More painting workshops in Laljin, Hamedan and some other cities are also active in other provinces of the province.
The production of colored glass containers and lavan in the traditional way (blowing air into the glass melting furnace). In the past, there were not many workshops of glassware manufacturing in some areas of the province, but the activity of this field was somewhat thriving.
Design of traditional designs, slamy, khataei and flowers and bay with gold water on the body of traditional glassware (types of spray gun, chocolate, chestnut, fruity, etc.) are made with a special elegance and beauty. These artists are mostly active in the cities of Hamedan, Malayer and Laljin.
Execution of highlights and drooping designs or painting the surface of glass (San Blasts) on the glass body using simple tools and creating various shapes on glass and decorative containers such as pitchers and glasses, fruit jars, chocolates Sweets, chandeliers and. . . It takes place.
Making highly precious wooden frames by performing beautiful and traditional designs in two types of woodworking (woodcarving) or molding on the frame of the frame.